Built for designing.
Welcome to your custom build of Tachyons.
Create fast loading, highly readable, and 100% responsive interfaces with as little css as possible.
Welcome to your custom build of Tachyons.
Create fast loading, highly readable, and 100% responsive interfaces with as little css as possible.
Copy the link style tag and paste it it in the head of the html file(s) you want to include this custom tachyons build in
<html lang="en"> <title> </title> <meta name="viewport" content="width=device-width, initial-scale=1"> <link rel="stylesheet" href="https://tachyons.pub/1.2.1/fc0e5b66cc4135e3b7e9cfa2d06aa8d9/css/tachyons.min.css" /> <body> </body> </html>
/*
TYPE SCALE
Docs: http://tachyons.io/docs/typography/scale/
Base:
f = font-size
Modifiers:
1 = 1st step in size scale
2 = 2nd step in size scale
3 = 3rd step in size scale
4 = 4th step in size scale
5 = 5th step in size scale
6 = 6th step in size scale
7 = 7th step in size scale
Media Query Extensions:
-s = 20em
-ns = 40em
-m = 40em
-l = 64em
-xl = 80em
*/
.f1 { font-size: 3rem; }
.f2 { font-size: 2.25rem; }
.f3 { font-size: 1.5rem; }
.f4 { font-size: 1.25rem; }
.f5 { font-size: 1rem; }
.f6 { font-size: 0.875rem; }
.f7 { font-size: 0.75rem; }
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua. At vero eos et accusam et justo duo dolores et ea rebum. Stet clita kasd gubergren, no sea takimata sanctus est Lorem ipsum dolor sit amet
/*
TYPOGRAPHY
http://tachyons.io/docs/typography/measure/
Measures:
measure = literal value 30em (base line length)
measure-narrow = literal value 34em (narrow line length)
measure-wide = literal value 20em (wide line length)
Media Query Extensions:
-s = 20em
-ns = 40em
-m = 40em
-l = 64em
-xl = 80em
*/
.measure {
max-width: 30em;
}
.measure-wide {
max-width: 34em;
}
.measure-narrow {
max-width: 20em;
}
.small-caps { font-variant: small-caps; }
.indent {
text-indent: 1em;
margin-top: 0;
margin-bottom: 0;
}
.truncate {
white-space: nowrap;
overflow: hidden;
text-overflow: ellipsis;
}
.t-heading-1 {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: 700;
font-size: 3rem;
text-transform: initial;
letter-spacing: 0;
}
.t-heading-2 {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: 700;
font-size: 2.25rem;
text-transform: initial;
letter-spacing: 0;
}
.t-heading-3 {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: 700;
font-size: 1.75rem;
text-transform: initial;
letter-spacing: 0;
}
.t-heading-4 {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: normal;
font-size: 1.5rem;
text-transform: initial;
letter-spacing: 0;
}
.t-heading-5 {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: normal;
font-size: 1.25rem;
text-transform: initial;
letter-spacing: 0;
}
.t-heading-6 {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: normal;
font-size: 1.25rem;
text-transform: initial;
letter-spacing: 0;
}
body, .t-body {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: normal;
font-size: 1rem;
text-transform: initial;
letter-spacing: 0;
}
.t-small {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: normal;
font-size: 0.875rem;
text-transform: initial;
letter-spacing: 0;
}
.t-mini {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: normal;
font-size: 0.75rem;
text-transform: initial;
letter-spacing: 0;
}
.t-action {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: 500;
font-size: 1rem;
text-transform: uppercase;
letter-spacing: 0;
}
.t-action--small {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: 500;
font-size: 0.875rem;
text-transform: uppercase;
letter-spacing: 0;
}
.t-action--large {
font-family: Fabriga, -apple-system, BlinkMacSystemFont, avenir next, avenir, helvetica neue, helvetica, ubuntu, roboto, noto, segoe ui, arial, sans-serif;
font-weight: 500;
font-size: 1.25rem;
text-transform: uppercase;
letter-spacing: 0;
}
.t-code {
font-family: Consolas, monaco, monospace;
font-weight: normal;
font-size: 1rem;
text-transform: initial;
letter-spacing: 0;
}
| Aa | --rebel-pink: #F71963 | |
| Aa | --heavy-rebel-pink: #DD1659 | |
| Aa | --elite-purple: #8914CC | |
| Aa | --near-black: #3F3F40 | |
| Aa | --dark-gray: #585959 | |
| Aa | --mid-gray: #727273 | |
| Aa | --gray: #979899 | |
| Aa | --silver: #CACBCC | |
| Aa | --light-gray: #E3E4E6 | |
| Aa | --light-silver: #F2F4F5 | |
| Aa | --near-white: #F7F9FA | |
| Aa | --white: #FFFFFF | |
| Aa | --washed-blue: #EDF4FA | |
| Aa | --light-blue: #cce8ff | |
| Aa | --blue: #368DF7 | |
| Aa | --heavy-blue: #2A6DBF | |
| Aa | --light-marine: #3D5980 | |
| Aa | --marine: #25354D | |
| Aa | --serious-black: #142032 | |
| Aa | --green: #8BC34A | |
| Aa | --washed-green: #EAFCE3 | |
| Aa | --red: #FF4C4C | |
| Aa | --washed-red: #FFE6E6 | |
| Aa | --yellow: #FFB100 | |
| Aa | --washed-yellow: #FFF6E0 | |
| Aa | --black-90: rgba(0,0,0,.9) | |
| Aa | --black-80: rgba(0,0,0,.8) | |
| Aa | --black-70: rgba(0,0,0,.7) | |
| Aa | --black-60: rgba(0,0,0,.6) | |
| Aa | --black-50: rgba(0,0,0,.5) | |
| Aa | --black-40: rgba(0,0,0,.4) | |
| Aa | --black-30: rgba(0,0,0,.3) | |
| Aa | --black-20: rgba(0,0,0,.2) | |
| Aa | --black-10: rgba(0,0,0,.1) | |
| Aa | --black-05: rgba(0,0,0,.05) | |
| Aa | --black-025: rgba(0,0,0,.025) | |
| Aa | --black-0125: rgba(0,0,0,.0125) | |
| Aa | --white-90: rgba(255,255,255,.9) | |
| Aa | --white-80: rgba(255,255,255,.8) | |
| Aa | --white-70: rgba(255,255,255,.7) | |
| Aa | --white-60: rgba(255,255,255,.6) | |
| Aa | --white-50: rgba(255,255,255,.5) | |
| Aa | --white-40: rgba(255,255,255,.4) | |
| Aa | --white-30: rgba(255,255,255,.3) | |
| Aa | --white-20: rgba(255,255,255,.2) | |
| Aa | --white-10: rgba(255,255,255,.1) | |
| Aa | --white-05: rgba(255,255,255,.05) | |
| Aa | --white-025: rgba(255,255,255,.025) | |
| Aa | --white-0125: rgba(255,255,255,.0125) |
.bg-rebel-pink { background-color: var(--rebel-pink) }
.bg-heavy-rebel-pink { background-color: var(--heavy-rebel-pink) }
.bg-elite-purple { background-color: var(--elite-purple) }
.bg-near-black { background-color: var(--near-black) }
.bg-dark-gray { background-color: var(--dark-gray) }
.bg-mid-gray { background-color: var(--mid-gray) }
.bg-gray { background-color: var(--gray) }
.bg-silver { background-color: var(--silver) }
.bg-light-gray { background-color: var(--light-gray) }
.bg-light-silver { background-color: var(--light-silver) }
.bg-near-white { background-color: var(--near-white) }
.bg-white { background-color: var(--white) }
.bg-washed-blue { background-color: var(--washed-blue) }
.bg-light-blue { background-color: var(--light-blue) }
.bg-blue { background-color: var(--blue) }
.bg-heavy-blue { background-color: var(--heavy-blue) }
.bg-light-marine { background-color: var(--light-marine) }
.bg-marine { background-color: var(--marine) }
.bg-serious-black { background-color: var(--serious-black) }
.bg-green { background-color: var(--green) }
.bg-washed-green { background-color: var(--washed-green) }
.bg-red { background-color: var(--red) }
.bg-washed-red { background-color: var(--washed-red) }
.bg-yellow { background-color: var(--yellow) }
.bg-washed-yellow { background-color: var(--washed-yellow) }
.bg-black-90 { background-color: var(--black-90) }
.bg-black-80 { background-color: var(--black-80) }
.bg-black-70 { background-color: var(--black-70) }
.bg-black-60 { background-color: var(--black-60) }
.bg-black-50 { background-color: var(--black-50) }
.bg-black-40 { background-color: var(--black-40) }
.bg-black-30 { background-color: var(--black-30) }
.bg-black-20 { background-color: var(--black-20) }
.bg-black-10 { background-color: var(--black-10) }
.bg-black-05 { background-color: var(--black-05) }
.bg-black-025 { background-color: var(--black-025) }
.bg-black-0125 { background-color: var(--black-0125) }
.bg-white-90 { background-color: var(--white-90) }
.bg-white-80 { background-color: var(--white-80) }
.bg-white-70 { background-color: var(--white-70) }
.bg-white-60 { background-color: var(--white-60) }
.bg-white-50 { background-color: var(--white-50) }
.bg-white-40 { background-color: var(--white-40) }
.bg-white-30 { background-color: var(--white-30) }
.bg-white-20 { background-color: var(--white-20) }
.bg-white-10 { background-color: var(--white-10) }
.bg-white-05 { background-color: var(--white-05) }
.bg-white-025 { background-color: var(--white-025) }
.bg-white-0125 { background-color: var(--white-0125) }
.bg-transparent { background-color: var(--transparent) }
.bg-base { background-color: var(--bg-base) }
.bg-base--inverted { background-color: var(--bg-base--inverted) }
.bg-action-primary { background-color: var(--bg-action-primary) }
.bg-action-secondary { background-color: var(--bg-action-secondary) }
.bg-emphasis { background-color: var(--bg-emphasis) }
.bg-disabled { background-color: var(--bg-disabled) }
.bg-success { background-color: var(--bg-success) }
.bg-success--faded { background-color: var(--bg-success--faded) }
.bg-danger { background-color: var(--bg-danger) }
.bg-danger--faded { background-color: var(--bg-danger--faded) }
.bg-warning { background-color: var(--bg-warning) }
.bg-warning--faded { background-color: var(--bg-warning--faded) }
.bg-muted-1 { background-color: var(--bg-muted-1) }
.bg-muted-2 { background-color: var(--bg-muted-2) }
.bg-muted-3 { background-color: var(--bg-muted-3) }
.bg-muted-4 { background-color: var(--bg-muted-4) }
.bg-muted-5 { background-color: var(--bg-muted-5) }
.bg-transparent { background-color: transparent; }
.bg-rebel-pink + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-rebel-pink + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-rebel-pink + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-elite-purple + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-black + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-dark-gray + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-mid-gray + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-gray + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-silver + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-gray + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-silver + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-near-white + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-blue + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-blue + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-blue + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-heavy-blue + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-light-marine + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-marine + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-serious-black + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-green + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-green + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-red + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-red + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-yellow + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-washed-yellow + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-90 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-80 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-70 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-60 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-50 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-40 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-30 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-20 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-10 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-05 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-025 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .light-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .light-silver
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .near-white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .washed-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .light-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .washed-green
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .washed-red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .washed-yellow
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-black-0125 + .white-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-90 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-80 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-70 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-60 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-50 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-40 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-30 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-20 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-10 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-05 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-025 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .heavy-rebel-pink
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .elite-purple
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .near-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .dark-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .mid-gray
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .heavy-blue
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .light-marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .marine
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .serious-black
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .red
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-90
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-80
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-70
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-60
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-50
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-40
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-30
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-20
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-10
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-05
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-025
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers
.bg-white-0125 + .black-0125
In visual perception a color is almost never seen as it really is – as it physically is. This fact makes color the most relative medium in art. - Josef Albers